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December 2007
November 2007
Ireland's smoking ban has improved the quality of live music in Irish pubs. Don't get the connection? After smoking was outlawed in Irish workplaces in 2004, less dirt from ambient smoke gets deposited inside musical instruments, producing a clearer sound, a report in the British Medical Journal said. Instruments like the accordion, Uilleann pipes, and other instruments which have bellows have all benefited from the ban. The tobacco residue was enough to change musical pitch in some instances, but technicians who work on such instruments say the situation has improved since the ban was instituted, the report said.
September 2007
August 2007
The 'reactable' from the Music Technology Group at the Universitat Pompeu Fabra in Barcelona, Spain is a computer-driven electronic musical instrument designed to be played by more than one person at a time. The Icelandic singer Björk used one at a concert in California in April 2007. Musicians move objects around the translucent table-top. The objects, by way of video camera underneath, computer, and synthesizer software, become sound generators, filters, and mixers. Rotating the objects alters the characteristics of the sounds being generated. Changing their proximity to each other causes different connections to be made and remade, keeping the music going and providing a light show at the same time. Multiple reactables can be networked to allow more musicians to participate (even in different countries over the Internet). Check out the demos and concert footage on YouTube (enter 'reactable' in the search box).
July 2007
The U.S. Library of Congress has awarded its first Gershwin Prize for Popular Song to Paul Simon. Named for George and Ira Gershwin, the lifetime achievement award honors artists who promote cultural understanding through song. Twelve-time Grammy winner Simon has long drawn on ethnic music for inspiration. Examples include Mother and Child Reunion with its Jamaican roots and Simon's 1986 South African-based blockbuster Graceland. Simon was the first American artist to perform in post-apartheid South Africa, at the invitation of Nelson Mandela. Somehow, I think the Gershwins (Cuban Overture, Porgy and Bess) would be pleased. The Library plans a website showcasing the Prize and its recipients.
June 2007 The rise of private equity in the last couple of years has been remarkable. Some very large deals are getting done - Chrysler among them at this writing. Now comes Terra Firma, a private equity firm paying US$4.7 billion to acquire EMI, the major record label and music publisher in London. Press reports are unclear on how Terra Firma expects to make its money on EMI. At its best, private equity brings in new people, fixes problems, and develops new markets, selling out when a formerly struggling company thrives once again. At its worst, private equity looks for a quick flip, a speedy sale to a new owner or an IPO back to the public market before anything of real substance can be accomplished. Funny thing about the music business, the majors don't seem to be able to exist as independent entities for very long, making them fertile ground for private equity suitors.
May 2007
Time was when young music hopefuls could hang out at New Orleans jazz clubs or knock on doors in their own neighborhoods to pick up tips from any number of established players. That all changed after Hurricane Katrina. A lot of musicians scattered across the country and still have not returned. Many of those who remain have to work second jobs and have less time for mentoring. Consequently, keeping New Orleans music alive has become a real challenge. Formal programs have taken up some of the slack, such as one offered by Tipitina's Foundation which brings kids and musicians together in free Sunday workshops. In another program, begun by black social clubs, children (some as young as 3) play with bands on Saturdays at the New Orleans Jazz National Historical Park in the French Quarter. This way, the music gets passed on, with kids hearing it and feeling it, not just learning about it in a classroom.
March 2007
© 2007 Christopher M. Wright
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